unbearably warm

Ah, Vienna. Vienna in the summer is hot and humid (except currently it's warm and humid and stormy and partially rainy) and the less said about it the better.

Kuro has flown the nest (or yard) and has done so apparently so successfully that s/he lost her/his parents. They came to our yard to look for her/him, but no Kuro. And after all the love and care we gave that bird ... tssss. Anyway, I'm sure Kuro is quite alright and while I hope that the parents don't drop another baby bird in our yard next spring, I'm also kind of curious to see if they'll do it again.

In the meantime, knitting. Yes, despite the heat. I just do it where or when it's cooler (the country, Starbucks, during rainstorms). I finally knitted something that for some reason I haven't knitted for myself until now. Legwarmers, that is. When I restarted my knitting, after the first bad experiments (did I talk about those yet?) I made legwarmers for my mother and for a neighbour ... but not for me. And I have suffered cold feet and cold ankles for many years and always thought "Gee, I knit, right? Why am I not knitting legwarmers for myself?"

Actually, considering I don't wear my woolen socks that often, why didn't I just knit legwarmers with the sock patterns? I guess sometimes I'm so set on FOLLOWING THE PLAN that I don't even see how a very small deviation from that plan can make everything so much better. I'm pretty good at deviating in general, but sometimes ... sometimes it doesn't happen until quite some time later.

So, the Spiralling legwarmers. And how they paid off already. At first I thought a rather involved pattern like the very pretty Unraveling Ribs Socks would be cool, but that required a whoooole lot of purling and chart reading and the yarn just didn't really like the pattern. Then I looked at the beautiful Sinusoida socks and fell in love. I actually love the slip-stitch fabric so much that I'm wondering where else I could use it.

The yarn is an older edition of Lana Grossa Meilenweit "Party" and is therefore a little scratchy. But when I saw the colors, I just had to have it, although looking at them now, the pictures are again much too blue. Damn that camera! I really like this combination and the pattern just mixed up the stripes beautifully. And I just need to weave in two more ends and cut off that one end ... finishing ... never one of my favorite activities.

Now I need to get back to work - the letters are almost almost almost transcribed, but due to very complicated circumstances I can't print out the last ones. And tomorrow I start doing historical research for the book project about the recipient and author of those letters.

Celebratory kitty!

looking for signs of spring in Hungary


Yes, it's been a while since I posted. The stomach virus killed my motivation and energy to do anything but sit and knit. I do have some pictures and a whole post on my 250th project prepared, but let me share something else with you today. Yesterday my mother and I drove to Hungary to have another look at the Eszterháza palace built by the Esterhazy family in Fertöd, a couple of kilometers over the Hungarian border. Here's a Wikipedia link (in English). 

The picture above shows the garden side, I didn't take a picture of the front, because the courtyard is currently being renovated and that doesn't look too nice. As you can see above and from the Wiki link, it used to be painted in what is called "Schönbrunn yellow", after the Schönbrunn palace in Vienna, which is also yellow. In an early attempt of corporate branding, Emperor Joseph II. ordered all buildings erected by the state and the Habsburg family to be painted in that color and so it became fashionable to paint everything in that yellow.


However, Schönbrunn used to be painted pink and grey and so did Estzerháza and while Schönbrunn will probably never be pink and grey again, Estzerháza is being renovated to show its initial coloring, which suits it much better. The beautiful gardens - also reminiscent of Schönbrunn, but less extensive and without the hills, fountains and follies - are also in need of renovation. There's a dell that probably used to be a fountain and you can tell where there were extensive flowerbeds and broad gravel paths to walk on, but those are all overgrown with grass.




Left over are the beautiful yew trees. Those attracted my attention the first time around when we went there a year and a half ago or so.

Back then, the grass was bleached to a pale green, the sun was wintry and faded and the black-green yew trees made such a stark contrast ... I still wish I had taken my camera that time. Ah well, I'll go again to capture it. As it is, I like the yew trees even now - I could probably stay a whole day and take pictures every hour to see how the light and shadows change.



But we actually went there to look for signs of spring and to take in the sun. I am extremely fond of spring flowers and while Vienna is showing definite signs, in the areas North and West of the city spring usually progresses far more slowly, so South we went.

And I was right, the sun was hot and the gardens of Eszterháza were teeming with violets and other wildflowers, bugs, ants and birds. There were so many violets that you could actually smell them, a sweet, delicious smell. Driving to and from Fertöd, we could see plum and peach trees in bloom already.

Apart from having fun with my new tripod, I had no fun at all messing with my camera settings. The blues in the violets and in these tiny star-like flowers which are native to this part of Hungary and are called Scilla buekkensis nearly drove me to madness, both in the food setting set on red (made the greens far too golden) and the macro setting (old problem of not catching the blue correctly).

I wonder why my camera can take pictures of the blue sky without any troubles, but these intense and unique blues and violets make it go haywire. Maybe it's the ultraviolet component. There ought to be a bee setting. Still, I think these came out rather well. Now back to knitting (and baseball anime).

andy warhol knitwear

Last week I finally hit upon the setting which is probably most appropriate for taking pictures of knitwear. It's the "food" setting. The thing is, even though it has 12 megapixels and a billion gajillion settings and whatnot, my camera still can't pick up the nuances of colors. That lovely cowl up there (photographed in the most unimaginative manner) is a most beautiful shade of lavender mixed with blues and lilac and certainly 50% more beautiful than seen in this picture. Although this is the picture that portrays the color most accurately, the others were miserable failures.

This is a shot of my Tegami Bachi cowl made from the wonderfully soft and addictive Malabrigo Yarn Lace in "Violetas", food setting, reddest option, macro option. It's closest to the original shade, just like the shot of the whole cowl above (also food setting, reddest option). Seems my camera has the problem of turning everything too blue.

This is still food and macro setting, only a little less red. It's turning blue! Although there is really not too much blue in the yarn.

This is the default and apparently "neutral" setting. See how blue it is? How can this be? Is it the light? No direct sunlight at the time, no flash, everything should have yielded a "normal" shot.

Have a look at this! Food, macro and the first actually "blueish" setting. It's a whole new yarn, one apparently named "Antarctica" or something similar.

Finally, the bluest setting. It looks like an Andy Warhol print. I wonder what food actually looks like photographed with this setting. I guess I'll be testing that soon. But isn't it crazy? For comparison, the reddest setting right below.

No, it isn't photoshopped. It's just my camera! 

Some more examples. That's a view of the sunset taken from my window (forgive the reflection of the actual camera). Setting probably the generic "landscape", colors pretty accurate.

The same view, only with the "dusk" setting. Notice a pinkish tinge that wasn't actually there? That's actually the automatic "dusky" setting. Why?

A view of the night sky one day past the new moon. Notice a pinkish tinge? Yes, the "dusk setting".

And that's the "night" setting. More like the real thing, but apparently, it adds a bit of a greenish tinge. 

I wonder ... is it me? Is it my computer? Or is it the camera? I never had such problems with the old analog camera. Ok, I couldn't take pictures like this with the old analog camera. But even the old digital camera only had color problems with intense purples and pinks - seems like it's colors with an ultraviolet component that are the trouble. But I have lots of blue knitwear, the loveliest being my new Cartouche Fragment. Lots of variegation in that one, greens, blues, purples, grays - and my camera can't pick them up. I'm going to do a few more experiments. Maybe it really is the light in my room. And I guess further experiments as to the veracity of the "dusk", "sunset" and "night" settings are needed. But how annoying ...

And if you think I'm not still watching the news from Japan in horror ... every morning I don't want to get up because the news is worse every time. I hope when I wake up tomorrow, Japan is still there. A bit worse for wear, but without the nuclear catastrophe that seems to be on the horizon.