Showing posts with label mods. Show all posts
Showing posts with label mods. Show all posts

Monday, September 5, 2016

Vorsichtige Wiederbelebung

10.000 Jahre später ...

Ich möchte wieder über mein Gestricktes schreiben. In letzter Zeit habe ich so viel entwickelt und ausprobiert und es steht noch so vieles auf dem Programm und manchmal habe ich das Bedürfnis es aufzuschreiben. Besonders nachdem ich das komplette Blog nochmals gelesen habe - es macht schon Spaß. meine eigene Strickgeschichte zu verfolgen.

Allerdings werde ich von heute an auf Deutsch schreiben - nicht, weil ich nicht mehr Englisch schreiben mag, aber die Zusammensetzung meiner Strickblase hat sich verändert und ich mag mehr Menschen den Zugang zu meinen Texten ermöglichen.


In letzter Zeit habe ich wieder ein paar Kinderdinge gestrickt, denn Besuch bei den Niblingen steht auf dem Programm und ich stricke auch gerne Kinderkleidung auf Vorrat. In einem anderen Post möchte ich über meine Lieblingskonstruktionen schreiben, heute soll es um ein besonderes Muster gehen.

Rechts seht ihr ein Bild von Glühwürmchen, einem der Pullunder, aus schwarzer und sehr bunter Wolle mit vielen verschiedenen Farben gestrickt. In der Mitte des Ausschnitts sind drei Knöpfe. Die Träger und der untere Rand sind bunt, in der Mitte wechseln sich dicke schwarze Streifen mit dünnen bunten Streifen ab. Die bunten Streifen sind kraus gestrickt, die schwarzen glatt.

Ich finde den Pullunder so sehr nett, aber als ich das Strickstück umdrehte, um die Enden zu vernähen, fluchte ich ein wenig, weil die Innenseite noch schöner war als die Außenseite! Sie sah nämlich so aus:


Auf der verkehrt gestrickten Seite ergibt sich durch die bunten Maschen auf den schwarzen ein interessantes Muster, wie kleine Bögen oder Reißverschlusszacken, die ineinander greifen. Genau dieser Reißverschlusseffekt interessierte mich. Ich habe ihn nämlich bereits in einem anderen Strickstück erfolgreich angewendet.

Nachdem ich aber den Pullunder nicht umkehren konnte und nicht neu stricken wollte, bleibt die schöne Innenseite erst mal innen. Dafür wollte ich dieses Muster auf ein Jäckchen anwenden.


Als Vorlage verwendete ich den Cubes Pullover aus der Deep Fall Knitty 2014 und nannte mein Jäckchen Gentle cuddle.

Die graubraune Wolle dafür habe ich schon ewig. Ich kann nicht mehr genau sagen, wann sie in meinen Wollvorrat (bzw. Stash) kam, aber definitiv vor 2009. Der Eintrag des Garns, Lana Grossa Cashtweed, wurde 2007 erstellt. Manche Garne liegen bei mir so lange, sie werden ja nicht schlecht. Manche warten auf das perfekte Projekt, manche auf eine Kontrastfarbe. Und für dieses Garn fand sich endlich den perfekten Kontrast in Form von Lana Grossa Royal Tweed in einem rötlichen Hellviolett.



Also habe ich gleich das neue Muster ausprobiert und musste traurig feststellen, dass die Farbkombination dafür absolut ungeeignet war. Bzw. wenn ich geplant hätte, einen subtilen, verschwommenen Farbeffekt zu erzeugen, wäre es perfekt gewesen. Aber ich wollte doch, dass der schöne Reißverschlusseffekt sichtbar wurde.

Tat er aber nicht. Stattdessen gefiel mir die glatte Seite viel, viel besser und das Kontrastgarn leuchtete viel mehr aus der graubraunen Wolle hervor. Nur musste ich jetzt alles bis auf den Halsansatz auftrennen, denn mein Perfektionismus verlangte, dass die Vorderseite des Anschlags zu sehen war und nicht die Rückseite, die bei den glatten Maschen so kleine Knubbel macht, wie ihr links sehen könnt.



Das Reißverschlussmuster eignet sich also am Besten für Garne mit hohem Kontrast, wie ihr rechts bei meiner Katzenfamilie - also der vordersten Katze - sehen könnt. Es entsteht, wenn ihr mit zwei Farben strickt und die Farbe in jeder Reihe abwechselt. Die vorderste Katze ist komplett in der Technik gestrickt, aus dunkelbrauner und wollweißer Wolle.

Zwar habe ich für die Katze diese Technik nicht angewendet, aber für rundgestrickte Projekte im Reißverschlussmuster eignet sich die Helix-Stricktechnik ausgezeichnet. Ich möchte das demnächst in einer Mütze ausprobieren.

Thursday, June 23, 2011

a true friend

The spring + summer knitty of 2011 had not one, not two, but actually three patterns for cardigans that I actually want to knit! When I see great patterns I usually put them in my ravelry queue and then they stay there and wait, sometimes for years. But when I saw Amiga, Corinne and Daedalus, I just knew I had to have all three. Especially since I have lots of yarn for Amiga, given to me by a friend of my mother's.


I started my Amiga in basic black. I cast on the numbers for the mediums size and it knit up rather quickly. Soon I came to the row where the arms are split from the body. And that is when I realized that as wonderful as that cardigan is, the original garment was knit in a "small" size. Then the numbers were scaled up mathematically and suddenly my medium cardigan had huge armholes. Now in retrospect, it might have been my gauge. I hardly ever check gauge because I dislike knitting gauge swatches (yeah, yeah, I know) and I probably knit a little loosely with this yarn.



So I grew very, very annoyed. It's always easier to blame someone else - like oh say, the designer (well, I'm still annoyed with the giant sleeves, I gotta tell you that). I ripped back a few rows to get back to the numbers for a small size, put the arms on hold and increased a few stitches under the arms to make space for my boobs. At that moment I still hated the whole garment. Of course, since I didn't rip back to the beginning, the back was much broader than intended (yes, I could have probably omitted those increases under the arms) and anyway, it was somehow loose and frumpy and annoying!


But my mother thought it was great. And since my mother likes her jackets on the looser side and has a birthday in July, well ... hello birthday present (plus a mug - my mother doesn't read this blog so I can say this). So I knit on. And on and on and after a very short while - it really knits up quickly - the thing was long enough. I picked up the stitches for the collar and once that was done, I started liking the jacket more. And more ... and more! I mean, apart from the loose fit, it is a great jacket. I did not, however, use Jeny's surprisingly stretchy bind-off, because a) too much of a bother and b) a loose normal bind-off is better for this jacket, *I* think. (I always know better, check out the first panel in the third row.)


So I will be knitting this again - with the right numbers (small size) and a few adjustments. After all, I have the yarn for three more jackets. But since I don't need three Amiga jackets, I'm giving one of those yarn collections to a dear friend of mine who is just getting into knitting (she's an absolute crocheter), because Amiga is quick, simple and satisfying.

Right now I'm still on the arms. At first I knit them both at the same time might because that saves row-counting, but it's not as quick and convenient as knitting them one at a time. And my mother likes long sleeves, so I'm switching.

In other news: guess who got a haircut!

In the ongoing process of turning myself into the adult I always wanted to be which started last spring, this is a huge step forward. For the second time in my life I went to a professional hairdresser and now I have hair that is about 10 times more daring than I am. 
Lifelong learning. It's a bit scary, but fun!

Those two pictures were taken almost right after the cut, when I had about 20 5 different styling products in there. Today I washed my hair and only used a bit of curling spritz (tee-hee) and while it is still adorable, I can totally see why styling products are necessary now, since my soft curls will grow fuzzier and frizzier the longer the day is. So tomorrow - new wash, new experiment (styling foam).

Thursday, May 19, 2011

and so there were socks


I jumped headfirst into my yarn stash, looked at my box of sock yarn and my pile of patterns and finally came up with these. The pattern is Nutkin and I call them Suncream socks because ... don't the colors remind you of sunscreen bottles? I remember, in our old bathroom on the top of the wooden shelf that held all my dad's toiletries, there was a collection of sunscreen bottles. Like these (only older):


 The socks look like these bottles. Very 70s. Very nostalgic. What - no fashionable mood board with ... I don't know, oranges and pictures of the ocean and ... coconut palm tree trunks? Or ... who knows, an old coffee ad? Nope, the dust-covered sunscreen bottles that I saw almost every morning and every evening for about 20 years or so, those made me want to knit with this yarn.


I modified the pattern a little, because the cuff had all sorts of instructions (stockinette, purl line, fold over, knit together with provisional cast-on ... too much work) and I decided to do Japanese shortrows for the heel (a waste of time for sock heels, sadly), but on the whole, the pattern is simple and easy, just what I wanted. The second sock is done already, too (well, it *has* been two weeks since my last post).

It's getting far too hot to knit with wool in Vienna, though. I'm thinking about starting a cotton shawl (because I don't have enough stuff on the needles, nooooo), but I don't know which pattern I should use. The yarn is pink and I'd love to do something cherry blossom-themed (since I'm such a Japanophile), but it is dang hard to replicate sakura in knitting.

I'd also like to finish my Rose-colored Edges Shawl (the grey blob on the right), but recently I decided that the pink yarn for the edges was too good to be just an edge. Now what? Well ... Lana Grossa supposedly is bringing out a lace yarn, so I'll have to visit my favorite yarnstore very soon.

Meanwhile, it's back to the country with me for the weekend ... more cleaning.
 

Thursday, May 5, 2011

how about some socks?

Having three big projects on the needles is sometimes a little boring. I want to knit socks ...

Project 250 is going slow, but ok so far. After figuring out the armscye problem (and I finally remembered that the "skirt" is called a "peplum"), I wondered whether a diamond shape wouldn't solve the problem, giving me space and yet smaller armholes. So I completely unraveled the top and went to work. As you can see below, instead of a giant v, there's a somewhat diamond- or leaf-shaped section now. But!


But when I tried it on after knitting a good bit, I noticed that there was another problem. Instead of right below my armpit, the diamonds were placed further to the front. No wonder, since I don't have boobs on my back! But undoing all that knitting again? Instead, I chose to drop down the diamond section and reknit it 10 stitches further back.


The herringbone pattern is a bit complicated to knit back up, though, because the increases are unusual. Every row needs undivided attention, the only thing I could do was listen to a little music while reknitting. Still, the second section is almost done.

 To the right, you can see how far back I put the diamond section now - it's well into the back of the garment. I'm curious to see how it will all work out. But once the reknitting is done, I'll have to figure out a new problem: the new neckline. In accordance with the new look, my 250 cardi needs a new neckline to make it more Jane Austen than Jane Eyre. So I'll have to look at different patterns with the sort of neckline that I want and incorporate that into the cardi.

 
Sounds like a lot of work, no? Well, when I'm not working on 250, I'm working on my entrelac stole, called Quittez vos habits roses. When I can't think of a good enough name for a project (Why do they have to have such great names, anyway? Maybe I should start numbering them all.) I use snippets from folk songs (because I'm crazy about folk) and since I recently discovered a good channel for French folk songs, the titles of my projects are getting more and more incomprehensible. Quittez vos habits roses is from the song below, called "Marlborough s'en va t'en Guerre" from the beginning of the 18th century. 


If that song reminds you of "For he's a jolly good fellow", that's because the Brits stole the melody of this song and added their own text, a common and fun occurrence in folk. Most tunes for folksongs were actually dance tunes before they became song tunes. It's rare for melodies to cross borders, though, so this was a great find for me.

Anyway, back to knitting. On the left you can see my Quittez, it's made of Lana Grossa Qui and is soft and gorgeous, but due to my tendency to tighten my gauge once I'm comfortable with a pattern, the beginning of the stole is much looser than the section I'm currently knitting. Maybe in the future I should switch needles when this happens. But I'm hoping that it will even out in the blocking. Sadly, I've always found that the great texture of entrelac gets lost in the blocking, but maybe scrunching it up a little will help.

The other thing about Quittez is that I need daylight to knit it. Once one row of squares is done, I need to go back to every square and adjust the stitches. I still haven't managed to neaten up my edge stitches, not even with tugging and knitting some stitches tighter and some looser and whatever else - they remain uneven. So adjusting is required and for that I need daylight or at least good light in my room and ... anyway.


 
Third project on the needles is the Malagash Square Shawl that I'm calling Rose-colored Edges (because I didn't want to name it after yet another French folk song, frickin' a). It starts in the middle and is knit in the round and the pattern wants it to be garter stitch. But no way am I purling so much in a shawl that is knit in the round! And I also only have 600 meters of the main color, so I have to make it last.



So the main section has garter ridges every third row and three garter ridges every 7th ridge. I also wanted to do something with twisted stitches but decided against it. Maybe in a future project. But as this shawl gets bigger, it needs needles with a longer cable. Unfortunately, my best 3,5mm needles are occupied with the 250 cardigan, so I need to finish 250 first before I knit much more on this.

I want to knit socks ... I only have about 74 sock patterns in my queue ...

Thursday, April 14, 2011

project 250

Before I flit off to Styria for a few days, let me tell you a little about my 250th project and let's ignore the trip to Bonn and the knitting I did there and the yarn I bought today until next week.






250 is supposed to be the first garment knit by and for myself that I can wear without thinking: "But I could have done this much better and this doesn't fit well and this isn't good and this and that is wrong". I picked a pattern that I have been wanting and waiting to knit since 2008. It's called Stormsvale (not a Ravelry link) and attracted me instantly with its pretty, understated herringbone stitch and attractive fairisle bands. Yes ... I can wait years until I start a pattern. Capricorns are patient like that.


However, I decided to go in a completely different direction with the construction. The yarn that I'm using is vintage yarn that was given to me by my father quite some time ago. It's probably between 35 and 40 years old or maybe older. I only have 10 balls of dark blue, a bit of grey, a bit of green and a bit of white - and the green is much moth-eaten. After some deliberation, I replaced the green and the white yarn with purple and a variegated turquoise-grey-brown yarn to make the fairisle band stand out more.

So making the most of my yarn gave me the idea of knitting this cardigan in a new way. Instead of starting at the bottom, I used a provisional cast-on and knit the color band that should sit just below the bust first - and I knit it with a steek, because that's easier.



Then I switched to smaller needles and used the instructions from the pattern for what would happen after the fairisle band, i.e., bust shaping, armhole shaping, back and shoulder shaping and so on. The shoulders were knit using shortrow shaping, so I could do a three-needle bind-off (so worth it!).

After that, I knit the two sleeves. They were also started from a provisional cast-off and with the color band. Instead of putting the band at the wrist I moved it up to the upper arm and decided that short sleeves were the way to go. My first try at an edging was a reverse stockinette edging that would curl inwards and give it a sort of i-cord bind-off look without the actual i-cord (I hate i-cord), but now I'm afraid that actual i-cord is called for to make it look good. Man, do I ever hate i-cord. And this jacket will need a lot of i-cord bind-off.


The next step in the plan was to pick up the stitches from the provisional cast-on of the main fairisle band and just knit down from there for the "skirt", increasing steadily to give the whole cardigan a sort of Jane Austen vibe. I started doing that and after a while, I felt the need to see how the whole jacket would look. So I used some small hair clasps to hold the pieces together and put in one sleeve.

And of course a problem immediately revealed itself. There is a lot of extra fabric under my arms that should not be there. It looks weird when I lift my arm and there are weird welts and bulk when my arm is down.






What was to blame? As per the instructions,
I increased stitches at both sides under the arms and that is where the extra fabric came from, since my gauge is a bit bigger than the pattern specified. The only solution to this is ripping out the whole top (curses and swearwords) and not increasing that many stitches. Or maybe still increasing the stitches, but making the armhole smaller.

Of course, if I do this, the question is whether the sleeves will still fit. Maybe I'll have to reknit the sleeves, too. I do have to reknit one, anyway, since I knit it far too loosely. Reknitting the whole top really doesn't thrill me at all very much, but since I am determined to make this jacket fit and look good, I'll do it.




It will be a good chance to fix the neckline, too. I went with the original neck instructions, intending to maybe do some ribbing instead of the fairisle stand-up collar, but that just looks too uptight. So, a far lower neckline is required and it will probably also be finished with the all-powerful i-cord bind-off (grumble). Then more i-cord for the skirt bind-off. Then sewing the steek! And then the endless button bands! Two of those! To say nothing of sewing the button loops and sewing on the buttons!

Why did I start knitting this again?

Well, look at that last picture. It will be a seriously nice jacket once it's done, so I'll put in the effort to make sure it will turn out that way. My new lace shawl will just have to wait ... and maybe I should block all the lace shawls I have knit up to now before I start a new one. Or not.

Monday, March 21, 2011

knitting statistics

I am a little ill at the moment, which I don't particularly enjoy, but I'm on the mend. Maybe I'll even be able to take some projects pictures later - after all, I finished a bunch of them and many still remain unphotographed. I now finally own a tripod, so taking pictures of myself actually wearing the projects should also be a little easier. And last Thursday, I officially became a Magistra of Philosophy.

However, I'm starting my 250th project recorded on Ravelry today and thought I'd show off a little. I've definitely knit more than 250 projects, but some weren't entered (because pre-Ravelry) and in two cases, two or more projects were entered as one entry, so 250 is the base of all the following numbers.







Of those 250 projects, 17 were frogged (so far - I'm thinking of frogging 3 further projects).
The oldest project added is this scarf-like thing, which was supposed to be a wall hanging, called Irish Cream.








 

I didn't frog it immediately after making it, it hung around in my room for ages, never used. Then, one day, I had an idea and frogged it so it could be reincarnated with some additional yarn as a Spring Blanket (which needs blocking badly).



 



7 projects are hibernating - they're half-finished or maybe even almost done, but I've stopped working on them and they've been languishing for a while. For example, my Kingfisher Socks need a second sock to be done.




 
7 projects are currently officially in the works, although of those, 3 have been languishing for a while as well and really need to be done. But if I put them into hibernation mode, I'm likely to forget about them, that's why they're at the top of my list. One of them is this Tachikoma amigurumi, a robot from the anime Ghost in the Shell and a birthday present for my brother that I started quite a while ago. Crochet just needs a lot more attention than knitting is all I can say ...


So, of those 250 projects, 219 are officially finished - now I'll split the 250 (219 in brackets) into different categories:
  • 19 (15) pairs of socks or slippers
  • 28 (24) shawls & wraps, a category including ponchos, shoulderwarmers and all the lovely lacy and non-lacy shawls I've knit so far
  • 50 (44) scarves and cowls
  • 52 (44) entries in the "Misc(ellaneous)" category, which includes blankets, bags, toys, potholders, knitted jewelry, cushions, cell phone socks and other various stuff
  • 18 hats, berets and headbands
  • 39 (35) gloves, mittens, fingerless gloves and wristwarmers
  • 34 (32) items of baby and children's clothing including baby hats, socks, vests, cardigans, pullovers and bibs
  • 10 (7) items of adult clothing - vests, pullovers and cardigans

And finally, let me brag a little more than I usually do: Of the 250 projects
  • 135 were intended for my own use or are in use by me now
  • 115 were made for or given to other people
  • 123 projects were designed by me
  • 30 projects were "modified", that is, I took an idea or a pattern from someone else and turned it into something of my own, so sometimes I will use a stitch pattern in a different project, sometimes I'll keep the main pattern but use a different stitch pattern, sometimes I'll change the shape from cardigan to vest, sometimes I'll combine the best aspects of two projects
  • and finally 97 projects were knit or started according to pattern.
And now that I've spent half a day on this, I'll go back to my 249th pattern, because it needs fixing and then I'll officially start the 250th.

Tuesday, March 1, 2011

and here I thought 2011 was going to be different

There were supposed to be two major differences. First of all, 2011 was supposed to be a happy year. Not so. My best friend's father died yesterday. And just like M., who helped me during my father's illness, because she had experienced the same a few months earlier, I am now able to help him. It still sucks, though, and I really want noone else to experience this kind of grief.

Secondly, 2011 was supposed to be the year of knitting for myself. Ah well ... there is no such thing. I made two lovely things for a friend of mine and my brother's girlfriend. As a matter of fact, they turned out so cool that I almost regret giving them away, something that happens fairly often when I knit things for others.


These are the Mountain Form Slippers, a Japanese pattern, with modifications as developed by another knitter. It took me a while to get them right and I'm still not 100% convinced ... maybe I should have knit them even more tightly. The yarn used is Lana Grossa Bingo and a bit of Lana Grossa Nuvola for the skulls.

When I thought about what I could knit for my friend V., whose birthday was in January and who was my main support throughout the whole writing process and proofread many parts of my thesis, I thought about socks. Or slippers. And then inspiration hit me. I've always wanted to make a Yorick scarf, but the yarn wasn't available. Then Lana Grossa Nuvola came out and seemed like a good match. I just needed to test how it would felt. Ta-daa, felted skulls. Only now the winter yarn season at my LYS is over, so I need to wait until next winter to buy more Nuvola. I've also thought about embroidering the skulls to make them look like Mexican sugar skulls, but couldn't find my embroidery yarn. They're still extremely cool - I called them Mountain Goth, since she also is a capricorn and likes many things gothy.

These are the birthday fingerless gloves for my brother's girlfriend. I call them Lilac Butterflies. She loves cool purple and this yarn caught my eye at the yarn shop. It's Lana Grossa Cool Wool 2000 Melange, i.e. heathered. I absolutely love that Lana Grossa developed this kind of yarn, it adds such depth to the color and makes it a little less in your face at the same time.

When I saw the yarn at the yarn store, I already knew what design I would use. The pattern came from a sock pattern in the book "Socks, Socks, Socks", one of my first knitting books and is pretty simple to knit, except it takes up a lot of space (6st repeat).


And now it's time to stop knitting again. I'm supposed to study for my final exam, but got sidetracked today, cleaning up the chaos of finished projects, wandering yarn balls, tangled needles and knitting notions that had taken over my couch. The plan is to block something every day, so I can put it away. That means weaving in ends on a lot of projects, though - and I hate that so much. But since I have guests coming and the couch still isn't entirely cleared, I had to make some kind of effort. Tomorrow: studying.

Tuesday, January 19, 2010

there's no end in sight

I have amazing projects in my (Ravelry) queue.

There's these, this, this one, this, and finally, this. I have the yarn and needles and pattern for every project. I have had the yarn for some of those projects for a long time. I've even swatched for some of those projects. But am I making any of these? No.

My main projects (those I'm supposed to be working on ... besides the thesis) are all for other people. There's the Tachikoma for my brother that requires undivided attention (as crochet always does)((Rav link), there's the headband for my mother (now finished), because the other one I knit got stolen - also needs almost undivided attention or at least a movie I know by heart and then there's the second one of the Aviatrix baby hats, just in case the first one doesn't fit. There are fifteen more baby things on my queue. Some of those won't be knit, others will be knit multiple times.

But I just want to knit this one again:
This is the Little Luxury Kimono, Rav link here. I love it. It can be made completely seamlessly, if you don't count kitchenering the shoulder seams (and I don't). You start at the bottom and oh, how many patterns I want to try out to make the bottom look all obi-like. For this one, I used one of my favorites, double moss stich aka broken rib stitch. Then you could use a cable or other cast-on for the ties, but I didn't because ... well, next time. Don't forget to make a hole for one tie to go through. Then separate the whole thing for the armholes, finish it, kitchener the shoulders and pick up stitches for the sleeves. Reverse the sleeve directions and ta-daa! Seamless kimono!

The yarn for this sweater is Lana Grossa Bingo, 100% merino and my favorite bulky workhorse yarn. This yarn has also been in my possession for ages. When I bought it, I had just come across Knitty, so it was 2005 and in Knitty's 2005 spring edition there was this pattern: Cleaves. I wanted it. I coveted it. But I didn't knit it, because I was busy knitting other things. I still wanted it. Then Ravelry came around and convinced me not to knit it. So what to do with the lovely yarn? I made a Springtime Bandit, which looked like nice enough, but ... I didn't like it all that much (Rav link). So, I decided to frog it and reuse the yarn for my vicarious my friend's baby. And am I ever glad I did.

Saturday, January 16, 2010

meandering through picture quality, knitting potato chips and a brief history of my stash

Today it's finally sunny here in Vienna after days and days of grey fog. I quickly whipped out my camera and took some pictures of my almost and recently finished objects on my window sill. Not the most charming background, at least compared to the balcony I used to have at my disposal, but it's the only place in my room that has enough light for my camera to not need flash - comparable to Turtlegirl's top of the washing machine. Except the sill only works when it's sunny.

Two projects belong in the "knitting potato chips" category. I had to stop myself after the second one (which still isn't done, because the jumble on my couch has swallowed the green yarn I need for the bottom edging), otherwise I think I'd knit about three, four, five ... six, seven, eight ... nine ten?

The potato chip pattern is the Telemark Pullover by Erika Flory. Top-down raglan, very easy, infinitely customizable, done in a flash and gender-neutral. The pattern is very clearly written, but as mentioned in many other project descriptions on Ravelry, once you're switching to knitting in the round, cut your yarn and add it or a new ball at the left underarm, otherwise the end of the garter stitch placket will not add up in the middle. If you don't care to finish the placket, no need to switch.

Here's the first one I made:


Made with my favorite workhorse yarn, Lana Grossa Cool Wool 2000. There's a lot of history in this little sweater. The wine red yarn is from my first and to date last pair of real gloves with fingers, the apricot is a lonely ball of yarn I rescued from the sales pile a while (years) back and couldn't find a project for and the coral ... oh the coral.

The coral used to be piggy pink. Yes, really. I used it to make gloves for my mother (shown at right). I had lots of piggy pink yarn left over and it lived in my stash for many years until my friend told me of her pregnancy. I looked through the whole stash and picked out all the yarn I could use for baby knits. But this yarn was too piggy pink. Overdyeing it seemed like the best option, so I bought wine red dye and went to work. The yarn looked lovely coming out of the dye, a muted wine red. Then I put it in the fixing bath and it turned coral. I just hope it doesn't turn back into piggy pink in the first wash. It also lost weight - it's significantly thinner than the apricot and wine red yarn, which is the reason the sweater looks uneven.


The Telemark Pullover can also look like this:

More Lana Grossa Cool Wool 2000 leftovers, this time the green from my mother's gloves and some of the insanely bright variegated Cool Wool that I used for her wrist- and legwarmers eons ago when I got back into knitting (so, 2005). It is quite alright for kids, though, since it will make the child easy to spot. I intentionally left the arms short - this pullover turned out bigger than the other one, so it will fit longer, probably even into spring 2011, when it can be worn over a long-sleeved shirt.
And that's the end of the Telemark pullovers for me. No more! No more Telemark pullovers until all the rest of the baby knitting is done! Otherwise I'll never get to the baby socks.